Nature As Us - Upside/ Down Above/ Below Inside/ Out.
The concept that nature and us are one is not a unique one. Even though many still believe in the dualism inherent in the biblical concept of Man reigning over nature. But lets drop that argument.
How the One-ness of Us and Nature (elements, animals, plants, geology etc) manifests in man-made artworks, that is my focus. Let’s define Art Creation as the human mind’s attempt to express in a visual, auditory, musical of movement way an understanding of life experiences, of feelings and thoughts. Nature provides the source and inspiration which human artworks mimics a multitude of ways. Nature and natural processes are the inspiration. More and more scientific studies of the behaviour, brain activity in animals, insects, and plants these days verify what in previous times was mostly based on poetic insight or empiric observation. We are ever more in awe of how intimate our relationship with our natural environment really is. And how we are not only inspired or soothed emotionally by nature, but how we actually mimic, being it unconsciously, that what we had previously thought had been inferior life forms.
When death or destruction occur in our personal lives, many of us still ask in shock and horror, ‘why does this or that happen to me?’ But then become speechless with admiration of beautiful gorges, magnificent mountains, forgetting that these objects of natural beauty are the end-result of destructive forces like heatwave, thunderstorms, erosion.
Mother Nature’s wielding her tools of creation through destructive actions seem to us unrelated to how our own consciousness is shaped by events we experience as harsh and destructive. From nature, we learn the paradox that imbues not only our lives, but our art creations, with depth and meaning.
Imitating Mother Nature’s tools of weather and wind, artist’s tools of chisel and brush give permanent expression in creations on canvas, paper and in pixels on memory cards in cameras. Ambiguity, paradox are the essence, in artworks as in nature, that really move us.
Without this fusion of these opposites, into a complex whole, we are left with something that is a bland kind of prettiness, or ugliness. Where there is tension, contrast, paradox, the door to multiple interpretations are opened. A hidden sub-text, like in a short story, or a movie provides the complexity we seek in a visual or auditory or verbal artwork.
This is the theme/concept that directed my choice of artworks, when I recently co-curated an exhibition, Nature AS Us for the Gallery One 11 in South Africa, Cape Town.
Our Own Gomorrah
I escaped in night this morning, up our wild
island mountain lapped by city light and sound.
The path beckoned my dark ascent
to where time stills to trickle through algae.
Here, where the shade of owl slipping from a tree
is the central necessity, I drink real air and water,
and find my face in the soft, shed fleece of bark
and rock facades. Pausing in a brush of fynbos,
I saw the city catch alight as day broke into night:
a cloak of clouds, ignited by the dawn’s first rays,
burned orange above the scattered coals of streetlight:
our own Gommorah, where those below work
their way to work, smog and quarrels lodged
within their throats, hastening their lives to death.
I must descend; there is no true escape. I know
a seeded stealth of earth waits beneath the pavement.
Throughout the day I move with buchu on my hands,
and, in the sanctum of my eye, the fleeting flare of owl.
Dawn Garisch
July 2006
Bettie Coetzee Lambrecht Photography @ 2025
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